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The Writer and the Liminal State

I began my trip to Israel on a Thursday morning. After an easy two-hour shuttle ride to the airport, I checked my bag, breezed through security, and walked straight to the gate.  

Flight delayed…Flight cancelled.  Delta Help Desk handed me a coupon for a hotel that night and rerouted me on next day’s flight to Charlotte NC and from Charlotte to JFK, where I could catch the late-night flight to Tel Aviv.  

Alone for a month before the trip, I had been working hard to finish the third book of my Leah Contarini Mystery Series. During that month, I was at the computer every day, excepting an hour’s walk through the luscious cold of a Bear River Range winter and the hour it took me to shovel the daily snowfall from our driveway and sidewalks.

My work was done. I had been given a hotel room; I had a flight. I had no heavy luggage to wrangle.  I began to feel lighter. The weight of the previous month’s tension and tight muscles caused by the intense work of finishing the manuscript had dissipated and seemed inconsequential. I left the airport for the hotel feeling light and free. Free to let my mind roam. 

      The following morning, waiting outside in the crisp air for the shuttle back to the airport, I met a woman. She was an Hispanic woman from Miami, dressed in chic clothing. Her hair and makeup were professionally done, her glasses chosen to enhance her fine face, and she wore discreet gold on both wrists.  We were standing near each other at the top of the steps, staring out at the snow-covered mountains, when she turned to me and said, “This is the first time I’ve ever seen snow.” 

Since I was accustomed – winter after winter – to shoveling so much snow it made 6-foot walls down each side of our driveway, her words astounded me. Someone who had never seen snow!

I know of course that there are millions of people in the world who have never seen snow. But it had been a long time since I spoke with someone who was seeing it for the first time, and there was something in the way she was looking at the mountains that I couldn’t immediately identify. The significance of snow appeared to mean more to her than just the new experience of seeing it. 

I asked if she were moving to the West.  She hesitated, and as I waited for her response, I watched her face. She was worried. 

It turned out she was a semi-truck driver. Her usual route was Miami, Texas, Southern California, and back again, but she’d been reassigned. She was on her way to Montana where she would be driving a semi along a northern route, through the mountainous West. I let the thought sit. She had never seen and had never driven in snow.  She had left behind a world she knew and was on the way to a job, a potentially dangerous job. I felt a sudden protective sense toward her and wished I knew more about the sort of courage she possessed to take on that job.

I couldn’t have articulated it at the moment, but I had entered a liminal world. Like the people around me in the airport and on the plane, I had left but had not yet arrived.

A liminal world, simply put, is the place (physical, emotional, metaphorical) a person is during a transitional period. You are “inbetween”. If you’re an adolescent, you’re no longer a child, but you’re not yet an adult; if you’re a bride or a groom, you’re no longer single, but you’re not quite married.  If you’re an immigrant at a citizenship ceremony, you’re no longer an alien, but you’re not quite a citizen. 

It was with that woman’s story that I began to feel how all of us headed for the airport were in a liminal state. I thought of Chaucer. As travelers, all of us on our way to the airport and in the airport were in at the least, the liminal state of a traveler.  We were on the move: moving from airport to plane to airport to plane: situation left vs. situation anticipated. I’d left my American home and was going to my Israeli home. I was gone and yet not arrived.  I had entered this liminal space by leaving a life in the American West and flying toward my very different life in Israel. 

Neither home nor home, hiatus:  not writing, no more orientation by my mountain surroundings and friends, and no more concerns, except basic physical necessities.  All I needed to do was float through the airport or sit on a plane and listen to other people in the same state. We were the modern version of Chaucer’s Canterberry Tales.  I was filled with the excitement of what I would discover in this liminal state.

What I discovered as I moved through the 2 ½ days of the trip were stories: love stories, stories of fear, stories of tragic loss; stories of divorce and reconciliation, stories of food, stories of yearning, stories of freedom children told by running and shouting in the airline hallways; stories about diets, stories about a beauty salon, stories about living in Jerusalem, stories about terrible illness, stories of a loved-one’s death. 

I was floating through the world made small, with a motley crew, all of us existing between what was and what was to come. I listened to their stories; I told mine. I wanted to hear any story any one wanted to tell, and if I hadn’t yet articulated it, I now know that I was being offered a gift any writer desires:  stories laden with new understanding of what makes us human. 

We’re all homo narrans, shaping our lives as we travel.   

The Cave of the Jews

10 May 2022

     Lower Tuscany. I’ve finished work on the second book in my Leah Contarini Mystery and am ready to send it to the press, happy to let them take over. 

 Today, for a break, I decided on research for the next book. S. and I drove the back roads of the thick forests on the border with Lazio, bumping over narrow dirt roads through the high hills. We were looking for the Grotto degli Ebrei, the “Cave of the Jews.”  This is the cave where our friend, Elena, and her family hid from the Germans during Germany’s occupation of Italy in World War II. Elena was 9 when, in November of 1943, she and her family, left their home and went west and north to the farm of gentile friends. Each month they moved to another farm, sometimes barely ahead of the Facists or the Germans, and finally ended in what came to be called the Cave of the Jews in the same forest where we drove today. 

     The forests of this area of Tuscany are like jungles: chestnut, oak, maple, hornbeams crowd each other, thick as grass, and the ground cover of tangled vines, thorny bushes, giant stands of Scotch Broom, overgrown wild roses, and wild raspberry bushes twist together in tight, impenetrable  knots. 

     Like some other local Jewish families fortunate enough to escape in time, Elena’s family was sustained by courageous peasants/farmers who put their lives on the line to protect Jewish families from the German soldiers combing the area to kill or round up Jews for the camps.  

     We stopped at a house deep in the hills and talked to a man who was eating lunch with his family. “The cave is difficult to find,” he explained. “I could take you, but I have to work on my tractor today. It’s hard to find.”

     So, today didn’t work out, but another day it might, and the story of that nine-year-old girl begins to take shape in my mind. 

New Year’s

Happy New Year  in the hope that this will be a healthy year under the guidance of smart and brave leaders and citizens.

שנא טובה (שנייה) בתקייה שזו תהיה שנה בריאה בהדרכת מנהיגים ואזרחים חכמין ואמיצים

I migliori auguri per un felice e sano anno nuovo e per leader e cittadini saggi e coraggiosi

The Stuff of Dreams

Just before I woke this morning I had a dream. I was standing at a doorway. The door opened and I had just raised my foot to step through, when I realized that with the next step I would be leaving this world and entering another world.

I thought about the dream over coffee.

Before I stepped into that black and white other world, I had turned my head to see what was behind me in the place I was leaving: people I know were doing dishes; others were going up and down the stairs; there were letters on the desk; and the smell of winter minestrone simmering on the stove permeated the air. I could feel the chill of the cold doorknob on my fingers; could hear the chatter of kids playing in the corner. The walls were covered with photos of family and friends; there were books on the shelf; and through one of the windows I caught sight of trees in full leaf, and beyond, the neighbor in her backyard. I heard echoes of arguments, a whiff of the metallic air of anger; saw the eyes of a friend shedding tears, heard the ring of a phone, noticed dirty dishes in the sink…

These were fleeting moments, small things. There were shadows, smells, the taste of fresh bread in my mouth, the sound of my sons’ laughter, the feel of dirt on my hands from working in the garden.

Sipping my coffee, I understood the dream as a moment mori in 2-second dream form.

With that glance back, I had stepped into the same river of thought as the ancient Greek philosophers Democritis and Socrates, who said that the proper practice of philosophy is about death and dying. My dream wasn’t a didactic dream, not a religious admonition to “ be good or else when you die you’ll go to hell.”

And it wasn’t a thing, graspable like other momento mori: not a 19th century mourning brooch made of human hair, not a skull ring like my friend wears, not an elegy like Thomas Gray’s Elegy Written in a Country Churchyard, or a dance like that of the Grim Reaper, or a portrait like that of the Puritan Thomas Smith with his skull in hand. It wasn’t a calavera, a skull made of sugar for the Day of the Dead, nor a literary calaveras, a satirical poem given to the living, but written as if the recipient were dead.

The dream was not significant enough to walk along with the works of Camus or Sartre, or profound enough to be an experience of Bhuddist maranasati, or serious enough to echo The Way of the Samurai or a Sufi’s profound understanding.

It was just a little dream.  I decided the significant part of it was the details: 

 Each element of my life filled the room, although the room was not full or crowded; there was no threat, just details of life.  My little 2-second dream, my early morning momento mori, was simply a reminder that the big part of my life, as a woman and as a writer, is contained in a mass of the smallest of details. As I gather these details I find out who I am, and in the details of my books, I find out who my character are. This is what a moment-mori is good for. If I can remember that death is just one step away, the details around me will burst into the lush color, motion, and forms of life.  

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