Tag Archives: woman author

My Thanks

This month I want to express a big “Thank You” to the community of people who stand behind all writers. From the beginning of any writing project this includes those:

who help set up a Web Page and other online venues
who maintain those sites;
readers who give time, attention, and thoughtful criticisms to rough drafts (and I mean often really rough drafts);
editors who accept our work and spend hours nourishing it, trusting it; improving it
reviewers who speak publicly about our books, encouraging readers to buy and read
readers who buy our work, who take the time to listen to our stories

My personal thanks on the Leah Contarini Mystery Series goes to:
Sabine Barcatta
Shanna Siporin
Dov & Lev Siporin
Steve Siporin
Mary Sharp
Steve Sharp
Carol McNamara
Greg Stout
Mark Levenson
Laura Fisher
Level Best Books:
Harriette Sackler
Shawn Reilly Simmons
Verena Rose

Writing and Walking in Tuscany

Photos from my recent nine-mile walk to a neighboring village and back. These Etruscan trails are the same as those beloved by Leah, protagonist of my Leah Contarini Mysteries Series of Italian mysteries from Level Best Books. The first book in the series, Bitter Maremma is available now from Amazon, Barnes and Noble, etc; the second book, Death Will Find You, will be out this fall; and the third book, tentatively titled Precarious Refuge, will appear in 2023.  

From a review of Bitter Maremma:

Author Siporin’s novel works on a couple of different levels, first, as a murder mystery—and a very good one at that—and second, as a paean to the Tuscan region, its customs, culture and its colorful residents, all of which are richly drawn by the author. A far cry from the usual noir-ish streets of New York or Los Angeles, Bitter Maremma is a highly entertaining read, one that I most certainly recommend.

–Gregory Stout, author of Lost Little GirlGideon’s Ghost, and Finalist in Best First PI Novel category, 2022 Shamus Awards.

Films with a Sense of Community in a Troubled Time

As COVID 19 drives us further into isolation, I rely more and more on books, movies, and walks along the deserted trail that follows the canal. The walks clear my head and the books and movies transport me out of the house in a different way, so I can see how other storytellers are searching for meaning.  

Lately, I’ve seen two movie-series and a movie that you might like: Midnight Diner, a  Japanese anthology TV series directed by Joji Matsuoka, based on the graphic novels of Yaro Abe; The Queen’s Gambit, a U.S. miniseries based on a novel by “Walt” Stone Tevis and directed by Scott Frank; and The Life Ahead, from a novel written by Romain Gary and made into an Italian film directed by Edoardo Ponti, son of Sophia Loren, who still powerful at 86 shares the lead with Ibrahima Gueye, a very talented young actor.  

I think of these films specifically because all of them have themes of love manifested in camaraderie, community in its truest sense, and resilience in the face of hardships, and I’ve been hankering for a good shot of these things lately.  The Queen’s Gambit and The Life Ahead are hard in parts to watch, but working toward love is never easy, and all of these films pay back.

The Writing Life

A friend just suggested that I and some other friends think about our “writing life,” so I’ve been thinking about what my life as a writer has been.

Every writer creates, or tumbles into, a certain “writing life” tailored to him/herself, and the habits of that life are blended, smoothly or roughly, with the daily life of meal preparation, outside jobs, marriage or other love relationships, childcare, social get- togethers, bills, housecleaning, exercise, illness – all the activities/vicissitudes of any life’s needs.

For some years, I persisted in the dream that, eventually, I would be one of those writers who could dovetail my writing with the other aspects of my life –  with fluid skill and perfect organization: up at 4 every morning to put in 3 hours of solid work before my children woke, then a nutritious breakfast for the family, off to my part time job, come home, have a snack for the kids, clean house, help with homework, fix supper….  

But those visions of myself scurrying around like a well-organized little mouse were figments of imagination. If such a writer’s life does exist somewhere, for some writers, it was not to be mine.

My writing life, like the rest of my life, has been chaotic, erratic, and productive in spurts. Some nights I woke at midnight to work, caught an hour or two before 7, then dragged through the day. Some days I sneaked away to the river with a notebook; many days I ignored chores. I didn’t balance my checkbook; I left dishes in the sink; dust gathered on the shelves; the kitchen floor went un-scrubbed. There were long spans of time when my writing was reduced to notes on scraps of paper stuck in a file, or rough first drafts of poems were literally jotted down on napkins at the breakfast table. I finished first drafts of whole novels, written in the burst of an idea, that still, years later, sit on my shelf waiting for a rewrite. There have been fits of submissions when I sent out individual stories / poems / novels, followed by doldrums of inactivity when, for months, I submitted nothing.

In short, I’ve conducted my writing life in a calamitous way. It’s been hard most of all on the people around me, but can I be brazen enough to at least offer it as a vision of persistence?  

Each of us writers has something to say, and walking either upright with steady steps toward our goals or stumbling and lurching through our work, we write. Writing is what makes us writers. Under any circumstance, through any hardship. A person’s writing life is a manifestation of character and is bound to be as varied as the people who live it.

When I think of my own writing life I know I could have…. I should have…. 

But I didn’t.

I was lost in the glorious chaos of life with other people, other needs, and with my own failings. The poems and the stories twirled in an endless, dizzying polka through my head. I was a failure at an orderly life, but blessed with a loving family, friends, and editors that danced along with me, or when I needed, let me dance by myself. My writing life was that I just kept going.

Why Read Mysteries?

Last blog, I wrote about why I write mysteries: the puzzle aspect; the chance to deal with
death, which is the center of all our maps; the opportunity to re-create geographies I’ve known and loved; the chance to live through characters that are stronger, smarter, more courageous than I am; the chance to explore my own inner world, including the darker side; and the chance, almost like a folktale, to clarify the differences between good and evil – and more: the confusion of the two.

What about you? Why do you read mysteries, or why don’t you read mysteries? If you
do, when did you start reading them? Or did you pick one up, start reading, and decide the genre’s not for you? What do mysteries offer you that other genres don’t? What subgenres (thrillers, cozies, detective novels, police procedurals, etc.) do you read? Or, what is it mysteries lack that you find in other genres? Who are your favorite writers of mysteries? Why? Who your favorite writers of other genres?

I hope you’ll send a line or two – or whole paragraphs – and tell me your thoughts on
mysteries.

WHY MYSTERIES?

“Why mysteries?” Someone asked me.

I didn’t have a ready answer. I never planned to write them. I’ve mostly written poetry, commentaries, a few short works of fiction, and there’s an unpublished novel languishing on my shelf. 

The idea of writing mysteries started some years ago while I was hiking in the forests of the upper Maremma of Tuscany. Walking past three Etruscan burial caves, a mystery popped into my head.

So, I began.

I wrote the story, and in the way a reader or a listener lives through stories, so does the writer. My characters are not me; they can do and say what they want in ways very different from me, but I still get to act through them in a range of ways:  I can fight off attackers, I can get angry when I shouldn’t, I can be any age I want; I can have long braids, or shave my head and wear tattoos. I can be cruel, tender, harsh or sweet, beautiful, with long legs; I can go anywhere I want. And because mystery is a natural setting for shadowy characters, I can explore the dark sides of myself with impunity. Don’t get me wrong. I’ve never murdered anyone and I don’t intend too, but writing a mystery I do search my own dark corners for understanding. In the words of Kurt Vonnegut: “Writing, I experience becoming, find out what’s inside me, make my soul grow.”

Another reason I like writing mysteries is for the fun of the puzzle. Can I play the game well enough to make several characters suspicious? Can I leave a clue so subtly no one notices it’s a clue? Can I set the game so well, it’s the end before anyone guesses who the murderer is?

A third reason:  I get to weave setting with plot. Ok, this is true in any genre, but it’s still a great delight to be able to talk about places I’ve lived and loved, to make those places themselves, characters.

Fourth:I get to deal with the subject of death. Death is the country at the center of the map in everyone’s life, and in writing mysteries I can confront it, and in some ways be relieved of it.

 Fifth:  E.M Forster once said, “How do I know what I think until I see what I say?” This applies to writing in general. I don’t write mysteries because I understand why humans kill each other; I write mysteries because in writing them I work to understand why they kill each other. 

Sixth: Finally, it’s rewarding to “take a close and uncomfortable look at the world.” (Walter Mosley). In mysteries I see, up-close, the worst side of human beings and the best side. I have the possibility to watch people make choices in difficult circumstances, to learn and clarify the differences between good and evil. In this sense, mysteries are like traditional folktales, and I have always loved traditional tales.

Most of the reasons I’ve given for writing mysteries, are also reasons for writing in any genre. At base, I simply love to write, and I think that as I work to understand my characters – which means understanding myself as well – I become more human.